Attilia Fattori Franchini is an independent curator and writer based in London and Vienna. 

She is the curator of BMW Open Work by Frieze; Curva Blu, a residency project in Favignana, Sicily; and the Emergent section of miart Milan. Recent projects include: Falling Awake, again, KinoSüd, (2020); Tony Cokes, Gabi +, Wien, (2020); The Wasserman Kids, Et Al, San Francisco, (2020); The Obvious, Michael’s Santa Monica, (2020); Bits of girl left out to dry, Bits of boy left out to die, Marianna Simnett as part of Disappearing Berlin by Schinkel Pavillon, (2019); It might Include or avoid feelings, Hyphen Projects, Milan (2019); Falling Awake, a film program for Vienna Contemporary (2019); Could you visit me in dreams? as part of curated_by 2018, Vienna; Red Lake at Point Centre for Contemporary Art, Nicosia (2018); and ARS17+ at Kiasma, Museum, Helsinki (2017). She contributes essays and reviews to international catalogues and publications such as Mousse, CURA., and Flash Art International.

Selected past projects include: Céu Torto, Boatos Fine Arts, São Paulo (2017); Morning uber, evening oscillators, Seventeen, London (2016); Europa and the Bull at LambdaLambdaLambda, Pristina, Kosovo (2016); Kuvan Kevät, Kuvat Academy of Fine Arts, Helsinki (2015); Bold Tendencies, London (2015); and HAND, Barbican Centre, London (2013). She is also cofounder of the nonprofit platform Opening Times.


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